Vol. 51 No. III, 3 (2021): Chigiana. Re-envisaging Music

Articles

• Prefazione

  Nicola Sani

• Introduction

  Antonio Cascelli, Christopher Morris

• Listening and Looking in the Age of Sound Art Notes on History, Theory, Practice, and Reception

  Leslie Korrick

• Beethoven’s “Appassionata” in the Tube Conflicting Temporalities in Graphically Animated Music Videos

  Julia Freund

• Backstage Live Theatre, Opera and the Obscene in the Visual Age

  Nicolò Palazzetti

• La popular music in una prospettiva transmediale Il caso della trap in Italia

  Jacopo Tomatis

• “Sounding” the Space Soundscape and Construction of the Imaginary in the Historical District of San Berillo

  Maria Rosa De Luca, Giuseppe Sanfratello

• Between Site-Specific and Sound Installation The Multisensory Experience of Andrew May’s Unset

  Jessica Stearns

• Image of the Conductor A Case Study of Simon Steen-Andersen’s AMID

  Thomas Moore

• «Da ward mein Auge wach» Filmed Performances of Schubert’s Winterreise and the Tradition of Visualizing Schubert Songs

  Jeroen van Gessel

• Against the Grain and Out Yonder Decolonizing the Music Conservatory via Vernacular Pedagogies

  Christopher Smith

• Re-envisaging Chinese Traditional Music The Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films

  Joseph Wong

• Il passato come «avvenir migliore» Sovrimpressioni mediali nella Traviata di Lazar

  Matteo Quattrocchi

• Between Music and Painting Walter Ruttmann’s Opus Films

  Henry Balme

• Nei deserti di Varèse e di Viola

  Giacomo Albert